One Hundred Years of Solitude : Gabriel García Márquez
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I still recall the thrill of discovering the first two volumes of this series, and the crushing disappointment that followed when I realized english wouldn’t be continuing, leaving me with a lingering sense of what could have been, a bittersweet reminder of the transience of literary love affairs. Some translations of this passage refer to «models» or «imitations» however, those words were not used in the original One Hundred Years of Solitude which makes no mention of the terracotta army.
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Saunders as Thiang, Adiarte as Chulalongkorn and Benson as the Kralahome reprised their stage roles, as did dancers Yuriko and de Lappe. Despite its many strengths, the narrative ultimately felt like a tapestry with a few, glaring loose threads, threatening to unravel the entire fabric of the story. The author’s use of descriptive language brings the city and its characters to life, making it easy to visualize the scenes free book become fully immersed in the narrative.
This book exceeded my expectations. I thought it would be a typical light read, but it surprised me with its depth and quick shifts into more serious themes. The intensity, though brief, was impactful.
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